Simplicity #1061 Sew Along
Thursday, July 28, 2011
Time for a giveaway!
This fabulous pattern is free for the taking, and here's how:
How to enter (mandatory):
Leave a comment about this pattern on our "contact us" form at
http://www.sewchicpatterns.com/contact.html
to earn one entry.
If you'd like more chances to win:
1. Blog about this giveaway with a link back to Sew Chic Patterns
and leave the URL to your blog post in the comment to earn 5 more
entries.
2. "Like" Sew Chic on Facebook - OR - Write about this giveaway on your facebook page with a link back to Sew Chic . Make a comment at Sew Chic Facebook to earn 1 or 2 more entries.
The deadline is midnight August 6th. The winner will be chosen by
random drawing with the winner being announced publicly on Monday, Aug
8 on Facebook.
Good luck, and keep on sewing!
UPDATE: Congratulations to Cynthia Neal!
Tuesday, May 10, 2011
Make Mine Sheer!
Personally, I don't care for traditional suit jackets, but I can go for other types of creative layering! The concept behind #1106 began a year ago with the idea of a sheer "jacket" that can double as a shirt. Once it was near the end of the production process, I brought the package cover to exercise class to get the opinion of my friends. The first thing they said is "I don't work with THAT kind of fabric!" Ouch.
Just because you can see through it, don't automatically think the fabric need be "difficult to work with". The two most common sheer fabrics are Organza and Chiffon. Sheers get a bad reputation from Chiffons, which are slinky, slippery, with a soft hand and drape. Organza is the polar opposite, being firmer, easy to cut, and full of good body. In fact, organza is often used in finer apparel as an interfacing, and if used alone, as with the Phantom Jacket, needs no additional stiffening at all for a good shape in your collars and cuffs.
Being woven, both types of fabric will fray, yet they both can take very different types of seam finishes. The most common seam associated with sheers is called a "french seam" in which the seam is sewn in such a way that the cut edge is actually enclosed. There are so very many tutorials on french seams that I won't go into it here, except to say that the best, most professional french seams will be very narrow, less than 1/4" wide. On first glance, the seam will nearly be undetectable. With Chiffon, french seams are nearly the only option. However, with organza a french seam is a nice choice, but not the only one. Other seam finishes - from a simple serged edge, to a hong kong finish - could also be considered.
On the Phantom Jacket, the only seams needing a seam finish will be the back, side, and sleeve seam. Everything else is trimmed and enclosed in a facing. Myself, I used a serger on these seams, cutting them to a narrow 1/4". Now how easy is that? I hope my friends in excercise class might reconsider their opinion on sheers. Not all of them are "difficult"!
The Phantom Jacket and Pant pattern is available this week on Etsy on a "pre-order" status, to be mailed out on Monday, May 16th. Also, I'm offering a 15% discount on all Etsy orders now through May 16. Use the coupon code MOMSR4EVER at checkout:
http://www.etsy.com/listing/73756255/new-sewing-pattern-1950s-retro-jacket
Wednesday, April 27, 2011
Make your own Tulip Sleeve Tutorial
It must be wedding season again. My aunt called me up a week ago saying she was going to make a bridesmaid dress for a woman she does not know, and would not meet until the day of the wedding. She could not get a pattern in the same style as the other maids would have, and her challenge was to modify a pattern to make it look similar, as well as make it fit. The one thing she said she wasn't going to do was to try to make it a tulip sleeve like all the other girls would have. Over the phone, I could hardly argue the point, but I wanted to. Creating a tulip sleeve pattern would have been one of the easier tasks. In the end, the sleeve ended up being much too tight, and a gusset had to be added at the last minute to give her arm some space to move. Next time, I can direct her to this handy tutorial. No more tight sleeves please!

Tulip sleeves are an attractive and easy detail to add to any pattern with a set in sleeve. They are also very forgiving and comfortable to wear. To follow along with this tutorial, here is what you'll need:
- 2 pieces of wax paper (any paper that is transparent will work) sufficient for sleeve width and projected length.
- a medium tip Sharpie or Permanent Marker.
- Rulers to make straight and curved lines.
- transparent tape- removable photo tape works best. I use push pins with a foam core board.
1. Start with a sleeve pattern that you like the shape of. It can be long or short, gathered or tapered or whatever. I'm using a plain cap sleeve pattern. Lay your pattern flat on a table. Press if necessary. Measure about 4" from the center of the cap (there should be a symbol or a notch to show the center) on both sides, and mark that location with a dot on the original pattern. My example already had symbols marked for me. I like easy.
2. Cover the pattern with one sheet of paper. Tape it down or tack in place so it does not slide, as you'll be tracing the original pattern off. First one side, then the other.
3. Beginning at the underarm seam, trace around the sleeve, over the cap, stopping at the location of the dot you made.
Using a curved ruler, draw an attractive curve from the dot to the underarm seam. Remember that this line is your cut line. The seam line is actually inside this line, the same distance as your pattern designates (5/8"/1 cm).
4. Mark the grain line following the same grain as the original. Remember to also copy any notches and symbols.
5. Label your pattern piece, giving it a tulip sleeve "back" or "front" designation. Be sure to include the original pattern number, number to cut, and size. Because of the curve, tulip sleeves will need a lining or facing fabric to have a nice hem finish. Include a label that says "cut 2 of lining."
6. Lay the second paper over the first two patterns, and trace off the other side in the same order.
Here's what the finished pattern pieces should look like:
To assemble the sleeve, sew fashion fabric, right sides together at the underarm seam first. Do the same with the lining. With the sleeve flat, facing up, lay the lining on top, with right sides together. It is very easy to get the sides mixed up because they look the same except for the notches. Add a piece of masking tape to the wrong side and mark each side if you think this might happen to you. Pin the lining to the sleeve along the bottom edge. Beginning at the top of the front cap, sew aroun the bottom, under the arm, up to the top of the back cap. Trim, press, and understitch on the lining side. Press again, having the lining and sleeve together. Now you are ready to overlap the two sides, matching the center symbol/and or notches. Pin the overlap and baste all the way around the sleeve, just to hold the layers together. Baste again from notch to notch as you normally would. The sleeve is now ready to put into your garment. It doesn't matter if the overlap is toward the front or the back. Just choose your favorite direction and be sure to do BOTH sleeves the same way!

Tulip sleeves are an attractive and easy detail to add to any pattern with a set in sleeve. They are also very forgiving and comfortable to wear. To follow along with this tutorial, here is what you'll need:
- 2 pieces of wax paper (any paper that is transparent will work) sufficient for sleeve width and projected length.
- a medium tip Sharpie or Permanent Marker.
- Rulers to make straight and curved lines.
- transparent tape- removable photo tape works best. I use push pins with a foam core board.
1. Start with a sleeve pattern that you like the shape of. It can be long or short, gathered or tapered or whatever. I'm using a plain cap sleeve pattern. Lay your pattern flat on a table. Press if necessary. Measure about 4" from the center of the cap (there should be a symbol or a notch to show the center) on both sides, and mark that location with a dot on the original pattern. My example already had symbols marked for me. I like easy.
2. Cover the pattern with one sheet of paper. Tape it down or tack in place so it does not slide, as you'll be tracing the original pattern off. First one side, then the other.
3. Beginning at the underarm seam, trace around the sleeve, over the cap, stopping at the location of the dot you made.
Using a curved ruler, draw an attractive curve from the dot to the underarm seam. Remember that this line is your cut line. The seam line is actually inside this line, the same distance as your pattern designates (5/8"/1 cm).
4. Mark the grain line following the same grain as the original. Remember to also copy any notches and symbols.
5. Label your pattern piece, giving it a tulip sleeve "back" or "front" designation. Be sure to include the original pattern number, number to cut, and size. Because of the curve, tulip sleeves will need a lining or facing fabric to have a nice hem finish. Include a label that says "cut 2 of lining."
6. Lay the second paper over the first two patterns, and trace off the other side in the same order.
Here's what the finished pattern pieces should look like:
To assemble the sleeve, sew fashion fabric, right sides together at the underarm seam first. Do the same with the lining. With the sleeve flat, facing up, lay the lining on top, with right sides together. It is very easy to get the sides mixed up because they look the same except for the notches. Add a piece of masking tape to the wrong side and mark each side if you think this might happen to you. Pin the lining to the sleeve along the bottom edge. Beginning at the top of the front cap, sew aroun the bottom, under the arm, up to the top of the back cap. Trim, press, and understitch on the lining side. Press again, having the lining and sleeve together. Now you are ready to overlap the two sides, matching the center symbol/and or notches. Pin the overlap and baste all the way around the sleeve, just to hold the layers together. Baste again from notch to notch as you normally would. The sleeve is now ready to put into your garment. It doesn't matter if the overlap is toward the front or the back. Just choose your favorite direction and be sure to do BOTH sleeves the same way!
Monday, February 7, 2011
LUV the BLOGGER this month!
Hi Everyone!
February is the month to share the love, and this quick note is to
extend appreciation, along with a discount coupon to all the sewing
BLOGGERS of the world. Together we learn so much by sharing our
experiences and knowledge with each other. This is no small time
commitment, either!
Use the coupon code BLOGLUV2011 for 30% off your purchase total to be
used on Etsy only (if paying by credit card) at checkout. Add your
blog URL in the notes to seller section. If paying by check, print
out the customer order form and write in the code, giving yourself a discount on the total.
This coupon is in effect through Monday, Feb 14. Pass the LUV around
with your favorite bloggers!
Click the link below to go to Etsy now:
Sew Chic Patterns on Etsy
As always, keep on sewing!
Laura
February is the month to share the love, and this quick note is to
extend appreciation, along with a discount coupon to all the sewing
BLOGGERS of the world. Together we learn so much by sharing our
experiences and knowledge with each other. This is no small time
commitment, either!
Use the coupon code BLOGLUV2011 for 30% off your purchase total to be
used on Etsy only (if paying by credit card) at checkout. Add your
blog URL in the notes to seller section. If paying by check, print
out the customer order form and write in the code, giving yourself a discount on the total.
This coupon is in effect through Monday, Feb 14. Pass the LUV around
with your favorite bloggers!
Click the link below to go to Etsy now:
Sew Chic Patterns on Etsy
As always, keep on sewing!
Laura
Friday, January 21, 2011
Making the Case for a Dress Form
I am not automatically a proponent for sewing gadgets. First, it has to prove its usefulness to me. Gadgets and tools cannot take the place of technique - like a good screw driver, it can make the job easier, but will never replace the need for practice and knowledge. The more expensive the tool, the more need for establishing its worthiness to my life and budget.
In making the case for a dress form, the best ones will cost hundreds to thousands of dollars, and the personal dress forms are a whole lot of trouble to make, so it's a decision that can't be made lightly.
First ask yourself, what will I use it for? Why do I want it? I use my dress form now in ways that I never needed before college. I use it to test a new design idea. Like at the fabric store, I drape my mannequin with a quick drape to see how the fabric and style idea will go together.
I use my mannequin during the pattern making stage to check things like the flare of the skirt, the gathering of a drape, or the depth of a neckline.
In making the case for a dress form, the best ones will cost hundreds to thousands of dollars, and the personal dress forms are a whole lot of trouble to make, so it's a decision that can't be made lightly.
| I've draped a new design idea. Looks great! |
| I had to drape the sash on this design I call Espire. |
While I sew the new style together, I keep the garment and cut pieces pinned to the mannequin so that it's ever present in my mind and in my view. It's the designer "instinct" that can flag my conscience if something isn't working as expected. In this way I have a another chance to nix or improve a bad idea during this stage of the development.
If the style demands it, I need to use a mannequin to drape the pattern for part or portions of a new design style, as in the hip drape on this red dress I call Espire.
I consider a mannequin invaluable. I own two: one is a Styrofoam in size 6, and the other is my base size 10 in paper maché from dress rite. I use them both equally. But for all the things I do use them for, what you might notice is that I don't use a mannequin for fit. Why not? Because a dress form represents the body of everyone, yet no one. To check fit, I use a real person, a fit model. I talk about that in one of my earlier posts. To use a mannequin for fit, it would have to be a near perfect representation a real body, and even if it did match the measurements and body type I needed, it would still have limitations.
Many manufacturers have tried to produce mannequins that dress makers can use to help with fit. Probably one of the most common is the dial form. You are able to adjust the sides, bust, and back as necessary using the dials. I've never tried to use one of these, but it looks like guess work, and seems like it would be hard to duplicate bodies with a rounded shoulders, large abdomen, or a swayed back.
If the style demands it, I need to use a mannequin to drape the pattern for part or portions of a new design style, as in the hip drape on this red dress I call Espire.
I consider a mannequin invaluable. I own two: one is a Styrofoam in size 6, and the other is my base size 10 in paper maché from dress rite. I use them both equally. But for all the things I do use them for, what you might notice is that I don't use a mannequin for fit. Why not? Because a dress form represents the body of everyone, yet no one. To check fit, I use a real person, a fit model. I talk about that in one of my earlier posts. To use a mannequin for fit, it would have to be a near perfect representation a real body, and even if it did match the measurements and body type I needed, it would still have limitations.
Many manufacturers have tried to produce mannequins that dress makers can use to help with fit. Probably one of the most common is the dial form. You are able to adjust the sides, bust, and back as necessary using the dials. I've never tried to use one of these, but it looks like guess work, and seems like it would be hard to duplicate bodies with a rounded shoulders, large abdomen, or a swayed back.
Another type of adjustable form is like the small Styrofoam form I have. It came with pads and a cover to keep the pads in place. No matter how I tried, I could not pad the form to match a real body, or lengthen the back waist enough. The shoulders are incredibly wide too. No chance of making those smaller.
| Using paper tape |
For Do-It-Yourselfers, it's popular these days to make a copy of your body by wrapping yourself very carefully in paper mailing tape or duct tape. The idea is that you wear a long t-shirt, knit dress, or garbage bag and have a buddy tape you up with a few layers from neck to hip. There are numerous posts from people who have tried this, so getting the directions isn't a problem using google. What is a problem is that the end result isn't very accurate, it's unpinnable, and they actually add inches to your figure that aren't there! I have tried both of these methods and was not very satisfied with either.
A more accurate method for do-it-yourselfers is to wrap yourself in a plaster cast (like a medical cast for a broken arm) and then fill the cured form with spray foam. Remove the cast, and voila! You have an actual body duplicate that will take a pin and can be marked with waist and seamlines. There are instructions on the internet from a company that sells kits and will do this for you if you want. Check out My Twin Dressform if you are interested. (NOTE: Even though I make this method sound really easy- it's not. Plaster hardens very fast, requires special cutting tools to remove, and can be dangerous to children who might want to play in it. When so encased in plaster, fainting is a real possibility. Please, do not take lightly using this method for making a dress form!)
Saving the best method for last, a very safe, and very accurate method to get yourself a body double is to sew yourself a princess seam moulage or french lining which is a fitted sloper or master pattern with no ease. Pad any suitable mannequin (smaller than your actual measurements) that you may have to fit the moulage. This method requires no long calculations, only a helper. I'm going to do this with my fit model next week, and will leave you with photos and instructions hereafter. Stay tuned!
These posts are now published.Click below to read Copy your Figure:
Part 1
Part 2
Part 3
These posts are now published.Click below to read Copy your Figure:
Part 1
Part 2
Part 3
Saturday, January 1, 2011
Pick Your Pattern Giveaway
Happy New Year to everyone!
Counting the years is our way of marking time, and reviewing our progress. The door to 2011 is now open and it is my hope that the year will bring good things for all of us!
Over the last several months I've been tweaking my website in big and small ways. I gave the shop page a new format, making it easier to add and see all the patterns. I also gave each pattern it's own page. I got the pages loaded late last night (my new years celebration), and in my haste, I haven't checked all the links yet, so let me know if you see something amiss.
**Pattern Giveaway**
Here is what you really came here for: My new years pattern giveaway. This year you can win any pattern of your choice.
First, go to my newly styled shop page:
http://www.sewchicpatterns.com/shop.html
and decide which pattern you'd most like to try. Write a message to me from the contact us page:
http://www.sewchicpatterns.com/contact.html
and tell me which pattern you've decided on. If I get at least 40 entries, I'll choose two winners (1 winner for every 20 people theoretically) which will increase your chances of winning, so tell your sewing friends about this giveaway! On the contact page is a radio button asking if you'd like to join the mailing list. This is NOT required to win a pattern. However, only one entry per person. If you entry twice, one will be deleted! Also, your entry will be voided if your contact information is invalid or incorrect. The contest deadline is Jan 8th. I'll notify winners Jan 10, and post names on FaceBook. Thank you, and good luck!
HAPPY NEW YEAR!
UPDATE:
Congratulations to the giveaway winners: Eileen Mitchell: Myrtlewood, Christina Burke: Pendleton, Mandie Murk: Southern Belle, and Cindy Hansen, Cloche hat. Jennifer Kubenka and Molly Holleran both won the Fantasia pattern. Thank you everyone for your participation. I look forward to doing this again this time next year!
Tuesday, October 5, 2010
Best Learn to Sew Videos
For me, of course, creating these samples again and again every year has produced quite a large pile of samples! I feel wasteful, just throwing them away, but I can't show "how to" by showing a finished sample. Thankfully, Threads magazine has created a list of videos showing "how to" do these very same samples! Their series is called "Teach Yourself to Sew." I've seen many of them, and find them to be excellent. If you are just learning to sew, or are teaching someone to sew, I highly recommend them. They are clear, concise, easy to see, and to the point.
Click the link below to watch this first video on choosing equipment, or scroll down the hyper linked page to choose a different video to watch:
Teach Yourself to Sew: Equipment 101 - Threads
Thank you Threads! You make my job so much easier!
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