Thursday, June 26, 2014

Sewing for Competition, Semi-Finalist: Karyn Heidenreich


Continuing with the IPCA PLARS garment entries, this week begins the Semi-Finalist. When sewing for competition, all other things being equal, the one thing that will set your project above all others will be adding in special details and the quality of sewing. With this group, as you will soon see, all were beyond average.  This weeks entry is a skirt made by Karyn Heidenreich using the Sew Chic Spin Skirt pattern, #LN1209. She has sewn for many years, learning the skill first in high school. She enjoys making ladies apparel and sewing for her family. The following is what she wanted to share with you about her entry:

Semi-Finalist: Karyn Heidenreich

I bought the fabric because of the colors and print pattern was something I know my daughter-in-law would like.
 There was just about 5 yds in the clearance area of the store.
The main scroll motif was not centered and side patterns did not match.
I had to do some creative piecing to get the motifs to be situated properly.
I had just enough fabric to center the motifs on each panel the way I wanted.
 I knew I wanted to make a gathered tiered skirt of some kind.
I'm glad I saw an ad for the various pattern companies in a sewing magazine.

Ideally, wanted to make the yoke with a coordinating fabric, but couldn't find any that worked.
I wanted to do the ribbon trim with two cotton twill tapes.
I couldn't find any in the colors I needed, so I had to use synthetic grosgrain and satin ribbon.
I used the satin ribbon shiny side down.
I wasn't happy with the texture of those two ribbons, but did the best I could.
I used the lines on the underskirt pattern as a guide for ribbon lengths.
 Believe it or not, I used 3 needles to make the skirt.  That ribbon was really hard on the needles.
 I made an attached petticoat modified from the underskirt pattern and modified the ruffle pattern for the tulle.

I added purchased gathered trim to one petticoat layer and a purchased flower trim to the other.

I went back and forth about entering the skirt in the contest, because of time issues.
I got the pattern the end of March and only had 2 weekends to work on it to make the deadline.

In general, I'm glad I did.
If I get judging comments back, those will be very useful for future projects.
I am going to make another skirt with the same pattern in an above the knee length for my daughter in an Alexander Henry fabric.  No deadline for it this time! I'm going to take the time to  get just the right yoke fabric and cotton twill for it.

__________________________________________
I'm glad she entered too! Here is the pattern she used:
Get your pattern here: http://www.sewchicpatterns.com/spin_skirt.html

Friday, June 20, 2014

Honorable Mention: Karen Emmons

Continuing with the IPCA garment entries begun last week, I want to share with you the inspiring work of Karen Emmons, also an "honorable mention." Karen has been sewing since childhood, and used the Sew Chic Fantasia, #LN9005 for her entry. She loves Halloween and is enamored with the "Gothic" look and lifestyle, which became her garment inspiration. The following is what she wanted to share with you about her entry:

Honorable Mention: Karen Emmons

"I decided to enter the contest for several reasons. 1) I love to sew. 2) I wanted to win the Baby Lock Serger, so I could give my best friend my old Baby Lock Serger. I’ve always been fascinated by the Gothic Lifestyle and looks. I actually got my inspiration from an ad I saw in a Goth Magazine. When I saw the Fantasia pattern, I knew that was the one I wanted to adapt for my contest entry. I already had the black crepe like fabric, the baby blue satin and tulle were purchased at Joann’s. I also purchased a few items on the internet. A lot if the bit and pieces were from my unbelievable stash of fabric and misc. sewing items. I didn’t want the blue satin to be bright, so I covered everything in black tulle to tone it down and give it a dusky effect. The ravens were stenciled on the fishtail with black matte fabric paint. The sleeves were made long. The back inset, sleeves and corset were covered in black ribbon in a crisscross pattern. I also made a matching choker for the dress using the same beads and braid I used on the bodice front."

Enjoy!



Her entry was based on this pattern:
Get your pattern here:

Saturday, June 7, 2014

Honorable Mention: Stephanie Ghidossi

The "Party Like a Rock Star" was the name of the sewing and design challenge this year hosted by the Independent Pattern Company Alliance, sponsored by these nine pattern companies:


Voting through the IPCA facebook page for the "People's Choice" award for each company has just closed. Winners will be announced in just a few days, on June 10. Winners will receive $100 in product from their sponsoring company, and go on to compete for grand prizes donated by Coats, Reliable, and Babylock. 

I received a total of 5 entries for this contest. I was impressed with the quality and creativity of the entries, but only 2 photos were required, and that doesn't always tell the whole story. Because it was a very manageable number, I asked all contestants to send me their garments. Only 3 could become semi-finalists, but I knew that every entry deserved our attention, so I spent an afternoon taking photos so that I could show you the workmanship and detail in a uniform way. For the next month I'm going to share these entries with you, along with any comments that the contestant may have given me to share.  


Honorable Mention: Stephanie Ghidossi

Stephanie did a beautiful job re-inventing the Valentine Slip view B,  #LN1207. She said that "Burning Man" was her inspiration. Stephanie paired three different fabrics, pleather, charmeuse, and chiffon to create this completely reversible design. She did a great job of incorporating the peacock design of the fabric, and invented a really clever way of lacing the ribbon. I didn't dare untie it for fear I would not be able to put it back. Stephanie has been sewing for only 3 years! Enjoy!






 Her design was based on this pattern:
Get your pattern here: http://www.sewchicpatterns.com/valentine.html

Tuesday, June 3, 2014

Sewing Indie Month- Enter to Win!


Tomorrow (June 4) the last day to post your creations and enter to win a whole boat load of prizes. If you have completed a Sew Chic pattern (or from any of the sponsoring designers) this month (May 1-June 4), all you need do is post the project photo somewhere on the web- in a blog post (of your own, or even a friend!), on patternreview, or Kollabora (maybe pinterest and photobucket don't count?). Align it with one of these categories and link your project back to the post of the category leader:

Dressed to the Nines (Formal wear)
Laura of Lilacs and Lace


Everyday Casual (Casual wear)
Jenny of Cashmerette

An indie Love Affair (two or more patterns combined)
Wanett of Sown Brooklyn 



Patternhacking (reworking a single pattern)
Rhonda of Rhonda's Creative Life





Click the links above to see the entries so far. Dressed to the Nines and Indie Love Affair have the fewest entries (11 and 8). It's disappointing that there are no entries to represent Sew Chic, but I'll keep my fingers crossed. There is still time!

Thursday, May 29, 2014

Ana Stepalica and Rhonda Buss

 This is my lucky week! Today I get attention from Ana of Stepalica Patterns; she has published an interview with me that we did some time ago, AND today, Rhonda begins her "hack" of the Myrtlewood pattern. Links following, but so as to not distract you just yet, let me tell you just a little about my experience with Ana.

For Sewing Indie, we all saw a list of participating designers and was asked to choose 3 or 4 companies that we wanted to work with. I did not know any of the designers personally, and some of them were so brand new they had just barely published their first pattern. We knew that we would not necessarily be paired with those on our list (they had to choose us too!), but lucky for me, the one designer that I chose that picked me also was Ana Stepalica of Stepalica patterns. Let me tell you why she was one of my picks.


Without knowing anything else, here is what this design (her first) told me about Ana:
  • Jumping right in to the advanced sewing market (which is a small sector), we know she is brave and has no fear. Even I was not willing to do that!
  • The complexity of the design tells us that she has skill and is detail oriented.
  • This fabric is not easy to work with. She is patient and careful- even exacting.
  • The tried and true classic silhouette is timeless and traditional yet...
  • not boring. She is cleaver, creative, and innovative.
  • The look is very international- it turns out she is from Serbia.
These are all the things that are important to me also, and immediately I feel a kinship with her. At that time, I did not know that she is also a writer for Sew News Magazine. She writes, she sews, she's creative. Sound like a winning combination for a pattern company to me! Now that I've had a chance to get to know Ana, I KNOW she is all of these things and so much more!

The prices of her downloadable patterns are very reasonable too. I love her Zlata skirt! Take a look at what Rhonda Buss of Rhonda's Creative Life did with this skirt:


Read more about her making of this skirt here:
http://rhondabuss.blogspot.com/2014/05/sewing-indie-month-pattern-hacking_23.html

This week Rhonda has begun her "hack" of the Myrtlewood pattern:
 It's proving to be VERY interesting. She's got my attention! 

And of course, you don't want to miss Ana's interview with me.
 
It's your reading list for the week.


Sunday, May 25, 2014

Sewing Indie with Craftsy: Flirty Meets Sassy, Part II

For Sewing Indie Month my assignment was to pair up with Christine Haynes (patterns) who is also a Craftsy class teacher...

 Craftsy.coom

Craftsy.com 

So I decided that my tutorial would combine our projects into ONE adorable outfit that YOU can make for yourself!
Sew Chic Patterns Tia 1312

With a few quick pattern changes, I've turned Miss Sassy into a short jacket.

Sew Chic Patterns Tia 1312
And Miss Flirty got a make over too.

Sew Chic Patterns Tia 1312

I raised the neckline, changed the trim to mirror the collar on the jacket, added tucks down the front, highlighted by covered buttons.


Sew Chic Patterns Tia 1312

 I even added cross tucks to the pocket to continue the theme.

Sew Chic Patterns Tia 1312
You can find the jacket tutorial here:
Sewing Indie with Craftsy: Flirty Meets Sassy, Part I 
But stay right here for the Tia Dress tutorial, so here we go!

First we are going to raise the neckline. Whenever you want to make an alteration from the original pattern, I recommend that you first trace off the pattern piece in your size. If you make a mess of it, no problem. You can always come back to the original and try it again!

Here are my pieces traced off. Next, mark the seam allowances around the neckline. And pin them together as if sewn, leaving the bottom of the princess seam spread out.


Use a grid ruler to draw in a new cut line. I'm going to raise my neckline 5/8" and flattened that top curve just a little, raising the center to about 3/4".  For more modesty, you can raise the neck more, and flatten the curve or go straight across for a square neckline.


What was the cut line, now becomes the sewing or seam line (easy for me!). I've extended the pattern cut lines for all pieces and shortened the shoulder piece to match with my new seam line.
This is what my new pattern pieces look like. Be sure to make a notation on your pattern so that you will remember what you did when you find this pattern again years from now! Next, I want to add pleats down the front at the same interval and depth as my jacket pattern.

Rather than cut my pattern up to add the tucks permanently, I'm going to make the tucks first, then cut the pattern. This is a great way to add may kinds of details and get them positioned exactly. Using a small square of fabric large enough for my pattern and the wide enough for the tucks, I've marked the edges of my fabric with chalk so you can see it, but normally I would just make a clip with my scissors. These marks are 1 3/8" apart from each other. I've left about 1 1/2 to the selvage. Be sure that your tuck marks follow the grain!

Fold the pleats along the marks and press. Your grain will keep these perfectly straight. Now sew your tucks at 3/8" from the fold line.

To keep these tucks straight, use a guide, not your eye, or a piece of tape. Cutting 2, one set of tucks will be pressed to the right right, and the other to the left.


Place the center front with the cut line 1" from the first row of stitches, or 1 3/8" from the first fold. Once sewn, that will leave you with 3/8" to the center front seam line. Don't forget to add the interfacing after your fabric is cut, just as the pattern instructions direct.

 To add the trim, make yourself a pattern piece following the Craftsy class, or for those of you not in the class, here is what the pattern piece will look like with the measurements. Cut one, then cut in half, will be enough for both sides of the bodice.


Cut your trim, folded in half, and make sure that your end is square.
 Sew the end and trim. Fold right side out. the pin designates the pattern marking on the front.

 Matching the finished edge to that pin, pin, then baste into place.
Pin your center fronts together at the tuck seams so you know they will be the same distance from each other when sewn.

Also, before you sew, make sure that your trims match up perfectly at the beginning point. The X is where you'll put your needle down through all the layers.
Make your pocket in the same way, sewing the tucks first, then cutting the pattern. This one will be trickier than the bodice, because you'll be stitching those tucks on the bias. Be as careful as you can be!

Folding under your outside pocket seam will take some patience also. Use your bishops ruler to fold under and press, measuring from the pleat stitching, not necessarily from the pattern edge. No one will notice if your pockets are not exactly the same, but if your edge gets wide and narrow from your tuck, that will definitely be noticed!


Even if you aren't in the Miss Sassy class, I encourage you to read the part I tutorial anyway. I give you more tips for sewing perfectly aligned tucks!
http://christinehaynes.blogspot.com/2014/05/sewing-indie-with-craftsy-flirty-meets.html