Showing posts with label southern belle. Show all posts
Showing posts with label southern belle. Show all posts

Tuesday, August 8, 2017

Simplicity 8167 with Chiffon Border Print

Sew Chic for Simplicity 8167
Simplicity 8167
If you are about to make Simplicity 8167, first of all, I want to thank you for choosing my pattern with Simplicity! Originally named the Southern Belle, this dress is SO easy to make, that I would rate it for beginners. I understand that with some clothing, you want to put in a little extra effort to make it bloom into something special. If  this is the case, you'll have to step away from the pattern guide just a little, but remember not to over do it just for the sake of extra work. Add extra steps ONLY if it will really improve the garment. As an example, I'm going to show you the special features I've used to make this gorgeous version of the dress in chiffon.

Sew Chic for Simplicity 8167
Sew Chic for Simplicity 8167
On this variation, I have omitted the godets at the hem. Review this post to give the skirt a standard hemline like you see here. My neckline is round, not square and my sleeve has a slight bell and gathered at the hem. (I personally like the original sleeve better.) This style is meant to be soft, so drapey fabrics like this border print chiffon are perfect. I used a black lining with a touch of body as the second layer and that's it. Two layers basted together is all you really need to keep this dress soft, light weight and very floaty!

Sew Chic for Simplicity 8167
Sew Chic for Simplicity 8167
 The really fun thing about this fabric is that it's a border print made up of polka dots that get smaller and smaller until it looks more black that yellow. I cut the fabric so the border (selvage) was actually at the waistline, and the middle of the yardage is at the top and bottom of the dress. Be sure to use a hemmer to mark both layers of the skirt, as these layers will not hang evenly. Cut the outer layer about 1" longer than the lining.
Sew Chic for Simplicity 8167
Sew Chic for Simplicity 8167
 Because there is no midriff yoke at the back, I positioned the fabric so it would transition from the black a the waist, over the shoulder, and to the brightest yellow at the bustline. I started with 6 yards of 60" fabric and had to cut each piece one at the time. There was almost nothing left over, but it really came together nicely.

Sew Chic for Simplicity 8167
Sew Chic for Simplicity 8167
In the interior, I used a french seam for the chiffon section of the skirt.
Sew Chic for Simplicity 8167
Sew Chic for Simplicity 8167
This lining is serged. The hem is turned up  and top stitched 1/4" from the fold with matching thread.
Sew Chic for Simplicity 8167
Sew Chic for Simplicity 8167
To hem the chiffon, I used the rolled hem settings on my serger. On the bias sections of the hem this serge creates a tiny ruffled effect.

Sew Chic for Simplicity 8167
Sew Chic for Simplicity 8167

Sew Chic for Simplicity 8167
Sew Chic for Simplicity 8167
On the neck, I used a cotton bias tape stitched and pressed to the back and top stitched. The binding does not show to the front.
To keep the top stitching from becoming a design feature I used "invisible" thread in my bobbin. It comes in two colors, white or smoke, to be used with both light and dark fabrics as appropriate. It's nylon and will remind you of fishing line.
Sew Chic for Simplicity 8167
Sew Chic for Simplicity 8167
Instead of interfacing, I used a black organza and also let that double as the third layer of lining. The interior is finished with a serge.  Do you notice the safety pins? Those are holding the flower in place. I do not sew embellishments (bows, flowers, buckles) to my garments so they can easily be removed before cleaning, and it's easy to change them up if I care to.
Sew Chic for Simplicity 8167
Sew Chic for Simplicity 8167
I pulled the petals from a "silk" flower, re-stitched to the ribbon and added beading to the center.
Sew Chic for Simplicity 8167
Sew Chic for Simplicity 8167
I get so many compliments when I wear this dress! Is this the fabric? The style? The techniques? All of these details must be able to coordinate and work together for a successful garment to emerge. Use techniques that are appropriate for the fabric, use fabric that services the design, chose a design that is a good personality for your fabric and all three will live in harmony!
See my photos here: http://www.sewchicpatterns.com/simplicity_8167.html
Buy your pattern here: http://www.simplicity.com/pattern-8167-misses-sew-chic-dress/8167.html#start=5

Would you like advice for Sew Chic project? I invite you to join the facebook group!
https://www.facebook.com/groups/sewchicsupport/

As always, have a great Sewing Day!  Laura


Thursday, May 21, 2015

Tutorial: Sew Chic Southern Bell Curved Hem Pattern Hack

Southern Belle #LN8503Meet my Southern Belle, LN8503. As designed, the full skirt made up of panels we call gores, and godet inserts at the hem creates this lovely angled hem that can handle border prints and laces with a straight edge. (photo at right). In the photo at left is the same dress, but with a curved hem, appropriate for all other fabrics.

You might remember this plaid dress as one I wore for lesson 8 in my Craftsy class.  I have worn this dress for a very long time, and it is still one of my favorites.


This yellow and black chiffon variation was made for the ITE show in 2015 with border fabric from Triple Textile. Instead of putting the border print at the hem, I placed the border print at the top of the skirt and did a curved hem at the bottom. This polyester chiffon may well still available for $3.50/yd (wholesale prices) on their website here:

http://www.tripletextile.net/SpanPrints1217/N-205-W.html


Let me show you hot to put a curved hem on your dress. This customization is so easy to do.



You will need:

  • pattern paper
  • tape
  • curved ruler
  • tape measure
  • marker or pen
We will be 1) eliminating the godet and 2) straightening and lengthening the side seams of the skirt (there's just one panel, so this is easy), and 3) reshaping the bottom of the skirt panel to give it a curve.

Before you start, measure yourself from waist to hem and know how long you want your skirt to be. If you need to adjust the length of your skirt, do that now using the "lengthen or shorten" line on the pattern and following the "what to know before you sew" section of the instruction booklet. When planning your skirt length, consider the length of your petticoat if you'll be wearing one, and don't forget to include a 1-2" hem allowance, as appropriate for your fabric, and the 5/8" seam allowance at the top. I am using 29" as my measuring length. Subtracting 1 1/2" for the hem on my skirt and 5/8" seam at the top, my finished skirt will be 26 7/8" long, perfect for a 26" long, or shorter, petticoat.
Add paper

    1. Start by adding pattern paper from the hem up to the angled mid section. Tape it in place.















    2. Using a ruler, extend the side seam for your size. Use a yard stick to make sure that angle is straight from the waist down to the new end point. Measuring from the cut line for your size, make a mark the length you've determined for your skirt.

    Measure your pattern

    3. Then go to the center and again, from the cutting line for your size,  measure to the desired length and mark the bottom of the skirt panel. 




     
    4. Continue measuring and marking, inching your way toward the side seam you've marked previously, creating dashes all the way across.Keep your measuring tape or ruler straight down from the waist, no angling.








    5. Now comes the fun part! Using your curved ruler draw a new hemline by connecting the dashes from side seam to center. 










     6. Here is what your piece should look like.


    7. Fold your pattern in half lengthwise and copy your marks to make the right side the same as the left.

    Cut from fabric, this panel shouldn't stretch too much, but to be sure your skirt looks right, always mark your hem from the floor while you are wearing it, then hem it. You want your hem to be parallel to the floor.





    What do you think of the results?  I'd love to see how it turned out for you!



    Have a great sewing day! 
    Laura


    Wednesday, May 13, 2015

    Pattern Resizing Part 2 - Large to Small


    If you've read or followed my Pattern Resizing Tutorial - Small to large, (which shows you how to make your pattern bigger) this will be simple. We will be doing the same thing, but in reverse! This tutorial will teach you how to make your pattern SMALLER that the sizes marked on your pattern. If you mean to make your pattern LARGER,  then click here to go to the tutorial part 1 for that instruction: 
    http://www.sewchicpatterns.blogspot.com/2015/04/pattern-resizing-tutorial-small-to-large.html

    If this is your first attempt to resize, don't worry! Using my Southern Belle pattern, #LN8503 (buy the pattern here: http://www.sewchicpatterns.com/southern_belle.html) you can follow along with me and before long you will have a perfectly-sized piece.

    Here is what you will need:

    • Your chosen pattern.
    • Any pattern paper of your choice (or use the paper cut from the edges of your pattern sheet).
    • A long see-thru ruler with a grid
    • A curved ruler is nice, but optional
    • Your personal measurements 
     1. Measure and Math
     Use this chart to record your measurements and then we'll do some math.
     


    Most of my patterns range from a size 2 to 18, and as an early design the Southern Belle only reaches to size 6- not small enough for my imaginary figure!  Let's fix that. Put your measurements in the first column, and the smallest pattern measurements from the pattern in the second column. Subtract the small from the large, and put that number in the third column. This is the overall decrease, but we need to disperse this measurement evenly on all 4 sides (divided between our front, back, right and left side). Now divide that overall number by 4 and put that in the last column. This smaller number is how much we will subtract from each of the side seams, front and back. Check your math!
    The changes in the pattern chart sizes include both width and height to make the sizes proportionate. Keep this in mind as you make your reductions. Maybe you need to reduce the width, but keep or even add some length (see Small to Large tutorial). No problem. This is why you've taken your measurements. 

    Exceptions to this divide by 4 math rule:  -- i.e. a princess seam. However this number may not be divided 6 ways equally.  Plan it out so that the princess line will land just to the outside of the bust point, and put the rest at the side seam.)


    2. Draw extension lines
    For this example, I'm using the Southern Belle #LN8503, pieces 1 (bodice front) and piece 2 (midriff yoke). Cut out the pattern pieces that you will need for your project. Because we are going to reduce our pattern we will be drawing some new lines on the pattern pieces -- extension lines. Even though we are reducing, you may still need some extra pattern paper for changes.

      Use a ruler to draw a grading point through the inside corner points of every edge. There will be exceptions where you draw outside of the pattern. This allows us to follow the pattern shape while at the same time shrinking it down.

    For the moment, ignore the vertical side seam line we've drawn in. What I want you to notice is the grading line at the outside waist from the 18 to the 6, that it's outside the pattern piece. Tape paper here if you need to. See how the outside edge of the pattern drops at the waist for all sizes? We want to maintaining this shape for our size too. We will be also be redrawing this line, but to match our measurement.

    3. Start at the side seam

    First we will concern ourselves with the width changes. Using the reduced measurements from my chart, I need to subtract a total of 3" from the waist, and divided by 4, the change will be -3/4" from the size 6 mark on the piece. Using a ruler I drew a line 3/4" in from the size 6 mark, then matched it up with the waistline.


    4. Work your way around the pattern

    Working your way around the pattern piece, measure and mark your new lines, keeping in mind which reduction goes where!

     
    We've used a ruler to mark 1/2" all the way around this pattern piece, matching the reduction for our bust, changing direction at the grading points.

    At the curves, keep the transition from wide to narrow the same as the other sizes are. Use a curved ruler, trace (the neckline above onto a piece of paper then with that tracing underneath, redraw it in the correct position, or neatly free-hand that line.
    On this pattern, although my waist needs to be reduced by a total of 3", the bust only needs to be reduced by only 2".
    This means we are going to have to correct that transition between pattern pieces with different width adjustments (narrow waist, wider hips for example). For now, draw the new new measurement lines for each piece and we'll tackle this step a little later in this tutorial.

    5. Lengthen or Shorten

    Looking at my imaginary person's measurements, we see that although the bust and waist need to be reduced, her back waist measurement needs to be lengthened. There are two places to lengthen: above and below the bust point. If you need to lengthen the bodice area, you'll need to take into consideration any darts and your bust point. With our pattern we will make the adjustment on piece 2.



    Rule of thumb for lengthening is to cut the pattern piece perpendicular to the center front or back. We did this and then placing it over our pattern paper spaced it apart the extra 1/2" (use a ruler to mark!) our lady needs and taped it down.


    This pattern doesn't have a dart, but if yours does, you may need to move it. Measure yourself from bust point to point. Divide that measurement in half. Measure from the waist up to your bust point. Measuring the pattern over and down to the waist, find your bust point. Transfer that information to the pattern and mark your bust point.  Use a ruler to draw a new line the corrected distance from the dart marked on the pattern. This is a cut line, not a sewing line. The bigger a dart is, the nearer to the bust point your dart should end. Assuming a good quality bra that keeps you nice and high, draw an arbitrary double line above and below the bust point. Measuring from the waist, vertically up to the bust point you can determine if and how much should be lengthened below and anything left over should be lengthened above.


    If you need to shorten your pattern, I will refer you to this tutorial on Shortening a pattern:
    http://sewchicpatterns.blogspot.com/2014/10/how-to-shorten-sewing-pattern.html

    6. Matching the pattern piece seams

    This is where we make the newly marked pieces match! Remember how our lady's waist and chest have different reductions? Well, those pieces have now been altered accordingly and won't match up -- until we work our magic.

    In our example we need to align the bodice front (reduced 1/2") with the midriff yoke (reduced 3/4"). 
    Mark your seam line at the bottom of the bodice and the top of the midriff and overlap them, one on top of the other, with the size 6 cut line touching. My red pencil is pointing to that overlap/match point.
    I've pinned my pattern so that it won't shift.
    I've made an X at the bottom and top of the side seam. These two points I will match up with my ruler, drawing a line between them. This is called truing. This will be my new cut line.
    This side seam is not straight, so I am using a curved ruler to guide me from that bottom X to the top X. Use a tracing wheel to mark this new cutting line on the paper below. The tracing wheel punches tiny holes into the paper so you can see it. Mark over that line with your writing implement.

     8. Complete other pattern pieces


    Continue on with the other pattern pieces, customizing the darts, subtracting from the side seams and redrawing the pattern shape as before until all pattern changes have been made. Don't forget the facings. Keep a notebook or use a diagram to help you keep track, but always walk (match your pattern pieces at the sewing lines) your pattern to be sure you haven't forgotten anything. Make a check mark on each seam that has been walked to partner so you don't have to worry. Checking this now will save your time, money and hassle down the road. If your chosen pattern has more pieces to it, such as the Tia dress, remember that the concept is the exactly the same. Make your marks at the side seam to personalize, and resize the pattern using the same grading lines, tapering as was done on the sizes before. Keep measurement changes the same throughout so that all the pieces will sew correctly to each other, walk your seams, and that's all you need to resize your pattern from what you have to what you need!

    Have a great sewing day!
    ~ Laura

    Monday, July 1, 2013

    Sewing Detail: Sew Chic Southern Belle LN8503

    Summer is definitely here, and I love all the bright happy colors that come with the season. I was in JoAnn Fabric recently and noticed that their gingham taffeta is back on the fabric shelf, perfect for a summer version of Southern Belle. For your inspiration pleasure, here's the detailing that I put into mine:
    I love gingham because it's easy to layout and cut with the grain, and unlike plaid, does not need to be matched. It's a classic fabric that has the look of sweet innocence, rivaled only by dotted swiss (wish I had some of that!). The only deviation from the pattern is a bias pin-tucked yoke and embroidery, adding some color for a contrast ribbon.
    First, cut a rectangle on the bias a little wider and longer than the yoke pattern piece. Using a 1/4" double needle with white thread, sew every other stripe, all lengthwise stripes first, then switch to the crosswise. It creates a pretty criss cross texture.

    Be sure mark the yoke pattern with a bias grain line and cut out the pattern piece. The pattern calls for a lining also, which gives structure to the yoke and ensures that this bias piece will not ever stretch out of shape. Cut the lining on grain as marked. Include interfacing as directed.
    Since my placement was to be over the seam, I added the embroidery after the skirt was complete. I used a Viking design from 1998 called Fantasy, Card #30, Design #3, but any flower could look lovely. 

    Add a silk flower in similar color and flower type at the waist/bow for a real vintage effect and a summer dress knock out!